Interview with Shepard Fairey
First, a question that’s been going around. Are you coming to the opening?
No. I'm not. I just have too much on my plate to come. I'd like to, but it's not going to be able to happen.
What’s the influence of your formal arts training versus the influence of the streets?
My work's always been a combination of the sensibility of democracy and urgency that comes with street art and DIY [do-it-yourself] culture, whether punk rock or skateboarding, but I also took art classes from a young age, so it can't really be separated. The skills you learn with formal art training are tools to allow you to achieve what you want to achieve. My mindset is about finding the best balance of the accessibility and passion of street art and the need to make an aesthetically appealing statement. It may be harder to describe than to experience. Bands like the Clash or the Sex Pistols got criticized for not being as technically [proficient]. It’s not just about technique. It's an almost impossible to describe concept. Art school was beneficial to me to show me a lot of different approaches to art, and it introduced me to a lot of different teachers and students. It gave me access to screen printing, which really became my aesthetic.
What do you see as the purpose of your art today? What’s it supposed to do?
I'm trying to make images that I enjoy making and that also share some point of view of mine. It's not always a topical point of view, but a way of doing things. My desire for empowerment, visual problem solving, passion for politics. I have more opportunities now. Before I could only make my own opportunities in street art. Street art is a really great medium but not the only one. When I was younger and had fewer options, I still made t-shirts for friends and bands. I just have more opportunities now. I just did a huge parking garage in West Hollywood. It’s a great opportunity to make public art that's going to be seen by a lot of people. It's still what I'm trying to do.
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My work's always been a combination of the sensibility of democracy and urgency that comes with street art and DIY [do-it-yourself] culture, whether punk rock or skateboarding, but I also took art classes from a young age, so it can't really be
Do I have any advice for those currently going through that rite of passage? Not really. I think we all have to go through it at some point and the biggest growth comes from the journey of finding one's individuality. Maybe I would say "be yourself"
They're creating the music. In other words the general contractor is not ripping his hair out if the color's a shade off. Do you only work with high-end designers? It ranges. I work with small, low-end interior designers where we do modest priced homes
If I could play one character in a film it would be: A bad guy in James Bond. One thing you didn't know about me: I can play the guitar 'round the back of my head. After Harry Potter: I would like to have my own hair colour back and play a character
(Laughs) The music has many different subjects. You can make music for yourself. AK: Why do you think it translates and resonates so well with European and North Americana audiences? VFT:Because, what we say in our music is very important.
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